Professor Kiera Vaclavik, BA, MA, PhD
Director of the Centre for Childhood Cultures
Email: email@example.comTelephone: +44 (0)20 7882 8333Room Number: Arts One 139Office Hours: Fridays,1-3pm
Focusing on children’s literature and childhood culture from around 1850 to the present, my research explores questions including:
- How do people engage with the material they encounter in books, and how does reading intersect with other aspects of their lives?
- How and why are stories and literary works adapted into different media, and how do they circulate around the world?
- What can ‘minor’ details tell us about the bigger picture? What light can easily-overlooked phenomena – of dress, of individual lives, of amateur performance – shed on broader historical patterns of global transmission?
My work brings children’s literature studies into dialogue with a range of other fields including classics, postcolonial studies, fashion and music. It is guided by comparative approaches, engaging with Francophone and Anglophone material, and tracing the movement of works not only across linguistic and national borders but also between media and forms.
I have learnt an enormous amount through my collaborations with individuals and organisations across the creative and cultural industries, including Liberty, London, the V&A, the London Symphony Orchestra and composer Paul Rissmann.
My recent publications explore varied topics including the fancy dress component of World Book Day and the representation of museums in children’s literature. I have also been pursuing some of the many issues and materials uncovered in research for my latest book on Alice in Wonderland’s visual identity in the nineteenth century. These articles explore the sonic dimensions of the Alice books and the longstanding tradition of male performance of Carroll’s works.
I am currently Co-I for two funded projects. The BA-funded project, ‘Childhood heroes: storytelling survival strategies and role models of resilience to Covid-19’, with Rachel Bryant Davies and Lucie Glasheen, focuses on storytelling – past and present – and aims to mitigate the immediate and longer-term educational, social and mental health impacts of COVID-19, as well as the marginalisation of children’s voices. With Hannah Field (Sussex), I am leading an AHRC network project, ‘Not Only Dressed but Dressing: Clothing, Childhood, Creativity’, which will bring together academics, curators and creative practitioners in workshops hosted by the V&A, Worthing Museum and the Musée du Textile et de la Mode (Cholet).
I have been part of the supervisory teams of five successfully completed PhD projects addressing a wide range of aspects of children’s lives and forms of cultural production for young people. These include translations of modernist children’s literature in France, representations of punitive practices in Golden Age children’s literature, the place of the non-European world in the lives of British children, and child migration to East London. With colleagues in Geography, Film and Comparative Literature, I am currently working with five further students on projects exploring, for example, the history of the V&A Museum of Childhood, fashion and performativity in adaptations of Cinderella, and illustrated works produced in Britain and Bengal.
These students, joined by other PhD students and early career researchers from across QMUL with interests in children and childhood, meet fortnightly in the reading and discussion group of the Centre for Childhood Cultures, which I co-founded and direct. The Centre brings together researchers from across the Faculty of Humanities and Social Sciences and beyond to foster research on children’s everyday lives and experiences, with a special focus on creativity, forms of literacy, and the links between different aspects of childhood culture.
Since 2018 I have been the Director of Research for SLLF
As well as regularly supervising final-year dissertations, I have also convened or contributed to the following modules at QMUL:
COM5206 To Be Continued: Adaptations of Global Literary Classics
COM200 The Scene of Reading [see here for an article arising from this teaching]
COM4207 The Scene of Learning
COM4206 Introduction to Comparison
COM5010/6010 Grand Tours: Nineteenth-Century Adventure Stories for Young Readers & their Twentieth Century Afterlives
COM6002/7002 Constellations: Online Anthology Group Project
COM7200 Cultures of Comparison
I am particularly proud of the online anthology module Constellations, which enables final year students to showcase their interests and work. Supported by a QM award to develop research-based learning and writing, the module involves small groups of level 6 students designing and building their own online anthologies. Incorporating contributions from external academics and industry professionals (e.g. from publishing and marketing), the module promotes graduate attributes and employability through its emphasis on team working, digital literacy and networking.
My research interests include:
Children’s literature; Material culture of childhood; Adaptation studies; Fashion/fiction; Reception studies; Children’s dress; Lewis Carroll’s Alice books; World literature; Anthologies; Museum studies
Selected funded projects
British Academy Special Research Grant: Covid-19, with Rachel Bryant Davies and Lucie Glasheen
‘Not Only Dressed but Dressing: Clothing, Childhood, Creativity’
AHRC Research Network, with Hannah Field (Sussex)
‘Addressing Alice: The Emergence of a Style Icon, 1865-1890’
AHRC Early Career Fellowship
This 24-month project traced the emergence of Alice as style icon, exploring the many different ways in which she was dressed in the nineteenth century - how she both follows fashions and sets trends - and also the practice of dressing as Alice. The aim was to reconstruct Victorian visions of Alice, and to extend our understanding of her character (and that of her creator) via analysis of dress and physical appearance. The project extended reception studies into the realm of (fancy) dress and established a methodology equally applicable to other iconic figures. It not only re-examined canonical works through a new critical lens which sheds light on their international transmission and circulation, but also uncovered a raft of neglected source materials. In addition to publications, the research has generated outputs including a fabric collection with Liberty, an exhibition at the V&A Museum of Childhood, and concert suite with the London Symphony Orchestra. The research has reached an international, multigenerational audience through the exhibition and concert, feature articles commissioned by The Independent, and The Conversation, a number of pubic events and talks, and inclusion in over 100 media and online outlets nationally and internationally (including BBC Breakfast, BBC London, BBC Radio 4, The Times, Financial Times, The Guardian, the Times of India, El Universal (Mexico)).The project forms the basis of one of the Impact Case Studies submitted by SLLF for REF2020.
AHRC Collaborative Doctoral Awards with V&A Museum of Childhood
3 PhD studentships over 5 years, with Alison Blunt, Miles Ogborn, Alastair Owens (QMUL, Department of Geography)
Fashioning Alice: The Career of Lewis Carroll’s Icon, 1860-1901 (London: Bloomsbury, 2019)
Uncharted Depths: Descent Narratives in English & French Children’s Literature (Oxford: Legenda, 2010)
‘Listening to the Alice Books’, Journal of Victorian Culture, 26: 1 (January 2021), 1-20 https://doi.org/10.1093/jvcult/vcaa022
‘World Book Day & Its Discontents: The Cultural Politics of Book-Based Fancy Dress’, The Journal of Popular Culture 52:3, June 2019, 582-605
‘Introducing the Centre for Childhood Cultures – A Formal Partnership Between Queen Mary University of London and the Victoria and Albert Museum of Childhood’, IbbyLink, 47 (Autumn 2016), 14-16
'More than Mirrors: Dany Laferrière and Frédéric Normandin's Je suis fou de Vava', Contemporary French and Francophone Studies, 15/1 (January 2011) (Special Issue: The Francophone Caribbean and North America, edited by Alec G. Hargreaves and Martin Munro)
'Goodbye, Ghetto: Further Comparative Approaches to Children's Literature', PMLA, 126.1 (2011)
'Visibilité variable: la carte au trésor des Mines du roi Salomon', Cahiers Robinson, 28 (2010) (Cartes et plans: paysages à construire, espaces à rêver, ed. by Danielle Dubois-Marcoin and Eléonore Hamaide-Jager), 19-28
'Damaging Goods? Francophone Children's Books in a Postcolonial World', International Research in Children's Literature, 2.2 (December 2009) (Special Issue: Internationalisation, Transculturalism and Globalisation: Manifestations in Children's Literature), 228-242
'The descent to the underworld retold and regendered in Philip Pullman's The Amber Spyglass', The Journal of Children's Literature Studies, 5:2 (July 2008) 37-56
'Prioritizing children's writing: rewards, risks and repercussions', Canadian Children's Literature/Littérature canadienne pour la jeunesse, 34:1 (Spring 2008), 129-135
'Jules Verne écrivain de jeunesse: The Case of Voyage au centre de la terre', Australian Journal of French Studies, 42 (2005), 276-83
'George Sand & Jules Verne: A Missing Link', French Studies Bulletin, 90 (Spring 2004)
'"Un Petit Costume de Mineur": Class and Gender Cross-Dressing in a Reworking of Germinal for Young Readers', Romance Studies, 21 (2003), 115-126
'Brief and Discontinuous Forms of Prose as a Means of Empowerment in Stendhal's La Duchesse de Palliano', French Studies Bulletin, 78 (Spring 2001), 2-6. [Winner of the R. H. Gapper Undergraduate Essay Prize 2000]
‘Alice and their Afterlives: Revisioning Carroll’s Work Through the Lens of Male Performance’, in Pretty Girls and Brave Boys: Perspectives on Nineteenth-Century and Contemporary Children’s Literature and Childhood (London: Bloomsbury, forthcoming 2021)
‘Sourcebook, Guidebook, VIP Pass: The Role of the Museum in Writing for Young Readers’, in Museums in Literature (Turnhout: Brepols, forthcoming 2021)
‘Of Bands, Bows and Brows: Hair, the Alice Books and the Emergence of a Style Icon’, in Colleen Hill (ed.), Fashion and Fairy Tale (London: Yale University Press, 2016), pp. 253-68
‘Fashions of Alice’, ‘Fashions of Alice’, Alice in a World of Wonderlands, 3 vols(New Castle DE: Oak Knoll Press, June, 2015), vol I, pp. 723-725
'The Dress of the Book: Children's Literature, Fashion and Fancy Dress', Beyond the Book: Transforming Children's Literature, Papers from the British IBBY/NCRCL MA conference held at Roehampton University, UK, on 11 November 2012. IBBY/NCRCL Papers 19, ed. by Bridget Carrington and Jennifer Harding (Cambridge: Cambridge Scholars Publishing, 2014), pp. 62-76
'Haïti chérie: Haïti pour qui?', in Ecrits d'Haïti: Perspectives sur la littérature haïtienne contemporaine (1986-2006), ed. by Nadève Ménard (Paris: Editions Karthala, 2011), pp. 137-47
'Writing Young: Edwidge Danticat's Young Adult Fiction', in Edwidge Danticat: A Reader's Guide, ed. by Martin Munro (Charlottesville: University Press of Virginia, 2010), pp. 86-98
'L'Edition de jeunesse en Haïti', in L'Edition de jeunesse francophone face à la mondialisation, ed. by Jean Foucault, Michel Manson and Luc Pinhas (Paris: L'Harmattan, 2010), pp. 137-148
'The Truth in Lyra's Lies', in The Golden Compass and Philosophy: God Bites the Dust, ed. by Richard Greene and Rachel Robison (Chicago: Open Court, 2009), pp. 63-71
'Undermining Body and Mind? The Impact of the Underground in Nineteenth-Century Children's Literature', in Histoires de la Terre: Earth Sciences and French Culture, 1740-1940, ed. by Louise Lyle and David McCallam (Amsterdam/New York: Rodopi, 2008), pp. 187-201
'Des abîmes franchis? La relation adulte-enfant dans Vendredi ou la vie sauvage et les valeurs du texte pour son jeune public', in Devenir adulte et rester enfant? Relire les productions pour la jeunesse, ed. by Isabelle Cani, Nelly Chabrol Gagne and Catherine d'Humières (Clermont-Ferrand: Presses Universitaires Blaise Pascal, 2008), pp. 283-294
'Death for Beginners: Nineteenth-Century Katabatic Narratives for Young Readers', in Birth and Death in Nineteenth-Century French Culture, ed. by Nigel Harkness, Lisa Downing, Sonya Stephens and Timothy Unwin (Amsterdam/New York: Rodopi, 2007), pp. 127-138
PhD thesis supervision
Starting September 2021
2021 Rosie Gailor (first supervisor)
‘Scrumdiddlyumptious and Uckyslush Women: The Female Experience According to Roald Dahl’
2021 Huiyun Mo (co-supervisor)
Child Clones: the Biopolitics of Posthuman Childhood in Young Adult Speculative Fiction
2021 Anchit Sathi (second supervisor)
‘I Believe That Children Are the Future: The Temporality of Queer-Parental Desire in European Modernism’
2020 Marta Vartolomei [self-funded] (co-supervisor)
Religious Views in H. C.Andersen’s Tales: a Comparison between the Original Texts and their Film Adaptations
2020 Jade Evans [REACH studentship] (second supervisor)
Creating, Exporting and Exhibiting British Film Stardom, 1920 – 1970
2019- Aratrika Choudhury [QMUL studentship] (first supervisor)
’Empire and the Illustrated Book’
2018- Charlotte Slark [AHRC-funded CDA with the V&A Museum of Childhood] (co-supervisor)
East is East: A Social and Cultural History of the V&A Museum of Childhood 1970-2010
2018- Abigail Fine [self-funded] (first supervisor)
Fashion and Performativity in Film and Literary Adaptations of Cinderella, 1922 – 2017
Students supervised to completion
2015-2019 Lucie Glasheen [QMUL studentship] (co-supervisor)
'Playing with new space in 1930s East London’
2011-2019 Eithne Nightingale [part-time, AHRC-funded CDA with the V&A Museum of Childhood] (co-supervisor)
‘Child Migration to East London: Life stories of departure, arrival and settlement’
2011-2015 Céline Clavel [self-funded] (first supervisor)
‘Unravelling Punishment: The Representation of Punitive Practices in Golden Age Children’s Literature in France, England and America
2010-2014 Aneesh Barai [QMUL studentship] (first supervisor)
‘Modernist Repositionings of Rousseau’s Ideal Childhood: Place and Space in English Modernist Children’s Literature & its French Translations’
2010-2014 Mary Guyatt [AHRC-funded CDA with the V&A Museum of Childhood] (co-supervisor)
‘The Non-European World in the Lives of British Children, 1870-1930'
MA thesis supervision
Jan-July 2014 Kali Myers (first supervisor)
‘Aesthetic, Mimesis, Commodity: The Relationship of the Cute to the Grotesque’ (Distinction)
I am committed to engaging as wide an audience as possible for the activities undertaken within the Academy and have communicated my own research to an international, multigenerational audience. In 2011 I was an AHRC New Generation Thinkers Finalist and have since undertaken a considerable amount of media work. I have written articles for the mainstream press and in 2015 alone appeared in more than 100 media and online outlets nationally and internationally. I have also appeared and given talks at a number of public events including tours, on-stage interviews and collection launches. I was shortlisted for QMUL’s 2015 Public Engagement Prize (Inform category) and was selected as QMUL’s sole candidate for the 2016 Guardian Higher Education awards (Research Impact category) and for the 2016 THE awards (‘Excellence and Innovation in the Arts’ category).
Collaboration with external partners in the cultural and creative industries is a core feature of both my teaching and research. I have forged relationships with multiple partners resulting in a range of commercial and cultural outputs, as well as studentships and events beneficial to a wide range of users and audiences. Some of the most sustained collaborations are outlined below.
V&A, 2009-present. I have co-supervised three collaborative doctoral projects with colleagues at the V&A Museum of Childhood where I also curated ‘The Alice Look’ exhibition (May -Nov 2015) and organised a one-day conference.
Liberty, London, 2013-2015. The first and only time a design brief was accepted by Liberty Art Design from an external source occurred after I discovered an important reference to the store in Lewis Carroll’s diaries. Following an initial meeting, Liberty decided that a whole fabric collection based around Alice would be created for retail release in 2015. I was a consultant on the project: giving a talk to the designers and selecting a fabric for the collection from the Liberty archive. The collection of 92 fabrics was presented to trade in the Autumn 2014 and released on retail sale in January 2015.
London Symphony Orchestra, 2014-2015. Building on a successful event held at the Barbican within the Children’s Literature/Lives research cluster, I worked with composer Paul Rissmann to produce a new concert suite, funded by a QMUL Humanities & Social Sciences Collaboration grant. The work was performed at concerts for schools and families that sold out 3 times over in November 2015. KT activity also involved an inset day with c40 teachers.
Mainstream press articles
‘How reading aloud can be an act of seduction’, The Conversation, 26 February 2021 [https://theconversation.com/how-reading-aloud-can-be-an-act-of-seduction-154692]
‘Many parents won’t read their children scary stories – but perhaps we shouldn’t blame them’, The Conversation, 1 September 2016 [http://theconversation.com/many-parents-wont-read-their-children-scary-stories-but-perhaps-we-shouldnt-blame-them-64694]
‘Dressing down the rabbit hole – how to become Alice in Wonderland,’ The Conversation, 29 Apr 2015 [http://theconversation.com/dressing-down-the-rabbit-hole-how-to-become-alice-in-wonderland-40398]
‘Alice in Wonderland: The Making of a Style Icon’, The Independent, 23 Mar 2015, p. 33 [http://www.independent.co.uk/arts-entertainment/books/features/alice-in-wonderland-the-making-of-a-style-icon-10128741.html]
‘The tale of squirrelling away books that sparked a nutty row over children’s literature,’ The Conversation. 12 Dec 2014 [https://theconversation.com/the-tale-of-squirrelling-away-books-that-sparked-a-nutty-row-over-childrens-literature-35442]
30 April 2021 V&A Friday Forum: Creating Wonderlands, online
16 April 2021 ‘On Storytelling, the Child and Public Health’, Queen Mary Conversations Week, online
1 July 2019 ‘An Alice for All Seasons: The Evolution of a Fashion Icon’, Alice’s Day, Bodleian Library, Oxford
23 March 2018 ‘Trophies and Relics and Objects of Magic’: the lure of the museum for children’s writers past and present, V&A Study Day, Adventures in Art: Museums and Children’s Books
18 July 2017 ‘Alice Grows Up: Russian Emigrees and the Making of a Style Icon’, Pushkin House
14 Oct 2016 ‘The Alice Sound: the Wonders of Paul Rissmann’s Wonderland Suite’, Lewis Carroll Society Meeting, Art Workers Guild
20 Oct 2016 'Peter Pan Collars & Alice Bands: The Sartorial Afterlife of British Children's Classics', The Florence Nightingale Museum
13 Nov 2015 ‘Alice in Fashion’ for Wonderday: An Alice in Wonderland Study Day, Christ Church, Oxford
28 Sept 2015 LSO Discover Teacher Inset Day, with Paul Rissmann
5 Sept 2015 Expert presence to provide historical and contextual background on Carroll’s work at the Marc by Marc Jacobs launch of the capsule collection ‘’I Am Not Like Other Girls’, EuroDisney, Paris.
3 Sept 2015 Guided tour of ‘The Alice Look’ for Dress and Textile Specialists network
2 Sept 2015 V&A Members Curator talk, ‘The Alice Look’, V&A South Kensington
4 May 2015 Interviewer of milliner Keeley Hunter, Emma Mawston (Head of Art Design, Liberty) and theatre designer Bob Crowley at Wonderland Session, ‘Designing Wonderland’, The Vaults, London
20 April 2015 Interviewer of Royal Ballet principal, Lauren Cuthbertson, Fiona Fullerton and opera singer Fflur Wyn at Wonderland Session, ‘Being Alice’, The Vaults, London
21 Nov 2014 ‘Rethinking Alice Through Dress’, Lewis Carroll Society Meeting, Art Workers Guild
3 Dec 2014 Poster presentation: ‘Presenting new dress-focused research on the Alice books to a museum audience’, National Co-ordinating Centre for Public Engagement, Annual ‘Engage’ Conference, Bristol
24 June 2014 ‘Alice, Anniversaries and Planning in Advance’, workshop for with Rhian Harris (director of V&A Museum of Childhood) and Emma Mawston (Liberty), The Culture Capital Exchange Conference, ‘Culture, Creativity and the Academy – Building a new ‘Grand Partnership’, Guild Hall School of Music & Drama
Selected interviews and other press coverage (print and/or online)
Flair [Germany] 26 Feb 2016
Reflex [Czech Repblic], 19 November 2015
‘Alenka v říši divů’
The Times Literary Supplement, 13 May 2015
Grafik., 11 May 2015
El Universal [Mexico], 8 May 2015
Times Higher, 7 May 2015:
Fucsia [Colombia], May 2015
The Times of India, 16 April 2015
The Times, 28 February 2015
‘Alice in Wonderland at 150: why we’re all about to go down the rabbit hole’
Varsity, 24 Feb 2015
Times Higher, 3 July 2014