| Anderson, Joel |
Theatre and Performance Photography: Documentation and the "Unlive" |
2008 |
AHRC |
Delgado, Maria |
| Curtis, Harriet |
Performing Cultural Identities in California: High Performance and the Performance of Paul McCarthy |
2014 |
QMUL |
Johnson, Dominic |
| Hancox, Simone |
Global Art in an Age of Global Performance: Complicity and Critique |
2013 |
AHRC |
Escolme, Bridget |
| Bauer, Una |
Post 1990s Dance Theatre and (the Idea of) the Neutral |
2011 |
London |
Delgado, Maria |
| Twitchin, Mischa |
The Theatre of Death: The Uncanny in Mimesis |
2013 |
|
Ridout, Nicholas |
| Breden, Simon |
Beyond the Playwright: The Creative Process of Els Joglars & Teatro de la Abadia |
2009 |
|
Delgado, Maria |
| Brodie, Geraldine |
Plays in Translation on the London Stage: Visibility, Celebrity, Agency and Collaboration |
2012 |
|
Delgado, Maria and Hermans, Theo |
| Linsley, Johanna |
I Know Something You Don’t Know: Contemporary Performance and the Politics of Expertise |
2013 |
QMUL and ORSAS |
|
| Castelyn, Sarahleigh |
South African Dance Theatre: The Body as a Site of Struggle |
2009 |
AHRC |
|
| Ceraolo, Francesco |
The Aesthetics of the Wagnerian Gesamtkunstwerk from Appia to Postdramatic Theatre |
2012 |
|
|
| Easton, Léonore |
Livegraphy Performance Art, Language and the Multiplicity of Sense |
2010 |
AHRC |
|
| Eaton, Kate |
False Alarms and Fake Excursions: Translating Virgilio Piñero for Performance |
2011 |
AHRC |
Delgado, Maria |
| Grochala, Sarah |
Seriousness, Structure and the Dramaturgy of Social Life |
2012 |
QMUL |
McKinnie, Michael |
| Harradine, David |
Chronographies: Performance, Death and the Writing of Time |
2005 |
|
Heritage, Paul |
| Home-Cook, George |
Stretching Ourselves: The Phenomenology of Sound and Listening in Contemporary Theatre |
2013 |
QMUL |
Welton, Martin |
| Kartsaki, Eirini |
Repeat Repeat: Returns of Performance |
2010 |
|
|
| Walsh, Helena |
Live Art and Femininity in Post-Conflict Ireland: Between Negation and Reproduction, Rebellion and Conformity |
2014 |
AHRC |
and McAvinchey, Caoimhe |
| Laera, Margherita |
Appropriating Greek Tragedy: Community, Democracy and other Mythologies |
2010 |
AHRC |
Delgado, Maria |
| Lobel, Brian |
Playing the Cancer Card: Illness, Performance and Spectatorship |
2012 |
QMUL and Wellcome Trust |
Silverstone, Catherine and Weaver, Lois |
| Marini, Charikleia |
Re-defining Urban Space Through Performance |
2013 |
|
|
| McNamara, Catherine |
The Constitution of Transgender Masculinities through Performance: A Study of Theatre and the Everyday |
2009 |
|
|
| Mitas, Jen |
Work, Emotion and the American Method |
2009 |
QMUL |
and |
| Owen, Louise |
Performing "Risk": Neoliberalization and Contemporary Performance |
2010 |
AHRC |
and |
| Wozniak, Jan |
Emancipating Shakespeare?: Jacques Ranciere and the Politics of Performing Shakespeare for Young People |
2014 |
QMUL |
Escolme, Bridget |
| Quirós Alpera, Gabriel |
Historia de la Dirección Escénica en España: José Luis Alonso |
2010 |
|
Delgado, Maria and Huerta Calvo, Javier |
| Reynolds, James |
Evaluating Performance/Re-evaluating Process: An Investigation into and Reassessment of Robert Lepage's Devised Theatre Practice |
2010 |
|
|
| Schmidt, Theron |
The Politics of Theatricality: Community and Representation in Contemporary Art and Performance |
2011 |
AHRC |
|
| Watt-Smith, Tiffany |
Flinching: Self-Experimentation and Theatricality, 1872 - 1918 |
2011 |
AHRC |
|
| Manninen, Saini |
Duration Materialised: Investigating Contemporary Performance as a Temporal Medium |
2014 |
AHRC |
and |
| Whitfield, Sarah |
Kurt Weill: The "Composer as Dramatist" in American Musical Theatre Production |
2010 |
|
|
| Willson, Suzy |
Performing Medicine |
2011 |
|
|
| Woods, Penelope |
Globe Audiences: Spectatorship and Reconstruction at Shakespeare's Globe |
2011 |
AHRC |
|
| Sosa, Cecilia |
Performance, Kinship and Archives: Queering Acts of Mourning in the Aftermath of Argentina's 1976-1983 Dictatorship |
2012 |
ORSAS and QMUL |
Delgado, Maria and |
| |
Possible Fictions: The Testimony of Applied Performance with Women in Prisons in England and Brazil |
2006 |
AHRC |
and Delgado, Maria |
| Macdonald, Megan |
Performance Art, Liturgy and the Performance of Belief |
2012 |
AHRC |
and |
| Edkins, Timothy |
Feeling Productive |
2013 |
AHRC |
|
| Zechner, Manuela |
The World we Desire is one we can Create and Care for Together |
2014 |
QMUL |
, and Bove, Arianna (School of Business and Management) |
| Smith, Anne |
The Possibilities and Limitations of using Drama to Facilitate a Sense of Belonging for Refugees, Asylum Seekers and Migrants in East London |
2013 |
|
|
| Allwood, Charlie |
The Gran Teatre del Liceu and Catalan Culture: History, Representation and Myth |
2013 |
AHRC |
Delgado, Maria |
| Leighton-Kelly, Sophie |
The Barbican: Performance, the City and Transnationalism |
2014 |
AHRC |
|
| Livergant, Elyssa |
Workshop: The Dramaturgy of Theatrical Labour |
2014 |
University of London |
|
| Wilson, Anna |
Argentine Theatre in Twenty-first Century Barcelona: Cultural Exchange and (Trans)national Identities |
2014 |
AHRC |
Delgado, Maria |
| Baker, Sylvan |
Training UK Cultural Warriors: Youth Leadership Through the Arts |
2015 |
AHRC |
|
| Bell, Charlotte |
Social Housing Performed: Community arts interventions in East London |
2015 |
QMUL |
|
| Diestro-Dópido, Mar |
Film Festivals: Cinema and Cultural Exchange |
2015 |
AHRC |
Delgado, Maria |
| Graziano, Valeria |
Formats of Conviviality: The Organisation of Collective Agency in a Time of Impasse |
2015 |
QMUL |
|
| Hilevaara, Katja |
Memory and Contemporary Performance: Remembering is the New Live |
2015 |
QMUL |
|
| Oliver, Daniel |
The Social Turn: Engagement and Efficacy in Contemporary Performance |
2016 |
QMUL |
|
| Fallow, Catriona |
Past and Present Plays: New Work at the Royal Shakespeare Company and Shakespeare’s Globe |
2016 |
QMUL |
Catherine Silverstone |
| Thomasson, Sarah |
Festival Cities: Edinburgh and Adelaide |
2015 |
QMUL |
|
| Holstein, Lauren |
The Agency of the Displayed Female Body: The Political Potential of Negative Affects in Contemporary Feminism and Performance |
2016 |
QMUL |
Dominic Johnson |
| Mullan, Sarah |
Lesbian Performance in London 1995-2015: Identity, Representation and Queer Epistemologies |
2017 |
|
Catherine Silverstone |
| Roberts, Eleanor |
Third Area: A Feminist Reading of Performance at London’s Institute of Contemporary Arts in the 1970s |
2016 |
|
Dominic Johnson |
| Mader McGuinness, Caoimhe |
Challenging Liberal Conceptions of the Theatrical Sphere in London, 2009-2015 |
2017 |
|
Catherine Silverstone and Nicholas Ridout |
| Massie, Eleanor |
Amateurs and Professionals: A Circum-Atlantic Genealogy of Performer Identity |
2017 |
|
Nicholas Ridout |
| Bennett, Emma |
Just Joking: Speech, Performance and Ethics |
2017 |
|
|
| Birksted-Breen, Noah |
Alternative Voices in an Acquiescent Society: The New Wave of Russian Playwrights |
2017 |
AHRC CDA |
Delgado, Maria, and Andreas Schönle |
| Church, Lewis |
Hating Discipline: The Polymath and the Academy |
2017 |
QMUL |
|
| Jones, Bret |
A Question of Taste: Theatrical and Cultural Continuity in Seventeenth Century England |
|
AHRC |
|
| Nicholson-Sanz, Michelle |
On Ports and Stages: Destabilising Cultural Identities through a Lingua Franca Theatre in Latin America |
|
QMUL |
Delgado, Maria |
| Oxley, Rachel |
Taking Turns: The Structuring of ‘Togetherness’ |
|
QMUL |
|
| Watkinson, Philip |
Making Space for Affect: Affective Materialism and Contemporary Performance |
|
AHRC |
|
