I am a London born theatre artist - performer, playwright, director, producer, facilitator, teacher and researcher. I trained in Theatre of the Oppressed and Physical Theatre. I have worked internationally in theatre, television and radio for over twenty-five years, from Antarctica to Zimbabwe. My (QMUL) PhD thesis is entitled Afriquia Theatre: Creating Black Queer Ubuntu Through Performance. I have been teaching in academia since 1998, mainly at Goldsmiths, University of London, Department of Theatre and Performance. I have recently joined the staff team as a Lecturer in Drama, Theatre and Performance in the School of English and Drama.
- DRA118: Performance Texts in Practice
- DRA218: Theatre Writings
- DRA220: Making Contemporary Theatre
- DRA261: London Performance Now
- DRA339: Applied Performance
- Theatre making
- Theatre for social change
- ‘Afriquia’ / black queer theatre and performance
- Theatres of the African diaspora
- Creating accessible and inclusive theatre
Recent and On-Going Research:
I am currently writing and developing my next production entitled STARS, in collaboration with DJ DeboA of Mix ‘n’ Sync, which is at a very embryonic stage. STARS is a play about a very old lady who travels into outer space… in search of her own orgasm. The play transforms into an installation and club night. STARS investigates connections between astronomy and female sexuality through the lens of the Dogon culture of Mali. STARS seeks to investigate how to create a performance event that combines theatre, art and clubbing. The STARS project includes participatory intergenerational workshops with girls and women creatively exploring the power of pleasure in female sexuality. STARS is motivated by my desire to address issues arising from sexual trauma and Female Genital Mutilation as well as celebrating the achievements of women of the African diaspora in space travel.
Adebayo, Mojisola, Mojisola Adebayo: Plays One, London: Oberon, 2011.
Adebayo, Mojisola, John Martin and Manisha Mehta, The Theatre for Development Handbook, London: Pan, 2011,
Adebayo, Mojisola, ‘The Supernatural Embodied Text: Creating Moj of the Antarctic with the Living and the Dead’ in Sue Broadhurst and Jospehine Machon (eds) Sensualities / Textualities: Writing the Body in 21st Century Performance, Basingstoke: Palgrave Macmillan, 2009, p92-102.
_______________, 48 Minutes for Palestine in Anna Furse (ed), Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration 1968-2010, London: Bloomsbury Methuen, 2011, p352-404.
_______________, ‘Revolutionary Beauty Out of Homophobic Hate: A reflection on I Stand Corrected’ in Gareth White (ed) Applied Theatre: Aesthetics, London: Bloomsbury Methuen, 2015, p123-155.
_______________, ‘Everything You Know About Queerness You Learnt from Blackness: The Afri-Quia Theatre of Black Dykes, Crips and Kids’ in Alyson Campbell and Stephen Farrier (eds) Queer Dramaturgies: International Perspectives on Where Performance Leads Queer, Basingstoke: Palgrave Macmillan, 2016, p 131-149.
_______________, The Interrogation of Sandra Bland in Reginald Edmund (ed) Black Lives, Black Words, London: Oberon, 2017, p158-170.
I would welcome enquiries from potential doctoral students interested in any of the areas of my research.
I am a London born, Nigerian / Danish theatre artist: performer, playwright, director, producer and workshop facilitator. Over the past twenty-five years, I have worked on performance projects in Antarctica, Botswana, Brazil, Belgium, Britain, Canada, China, Finland, France, Ghana, Greenland, India, Ireland, Lebanon, Malawi, Mauritius, Myanmar, Norway, Pakistan, Palestine, Singapore, South Africa, Sri Lanka, Sweden, Syria, the USA and Zimbabwe. I have acted in over fifty professional theatre, television and radio productions, devised and directed over thirty scripts for stage and video and lead countless workshops and training courses.
My diverse work has ranged from being an actor with the Royal Shakespeare Company to co-founding VIDYA, a slum dweller’s theatre company in Ahmedabad, India, who inspired the Theatre for Development Handbook co-written with John Martin and Manisha Mehta. All of my performance work is concerned with social change. Having trained extensively with and worked alongside Augusto Boal, I am a specialist facilitator in Theatre of the Oppressed, being invited to work particularly in areas of conflict, crisis and occupation. I am an Associate Artist for Pan Intercultural Arts with whom I work internationally. I mentor young and emerging artists including working as dramaturg for Four Corners production BLINK, with an inclusive cast. I have written poetry for many years and even had a stint as a teenage street rapper.
However, it was in 2005 that I embarked upon writing and producing plays as my primary focus through Moj of the Antarctic: An African Odyssey, which was researched on Antarctica and premiered at Lyric Hammersmith (2006) before national and international touring. This was followed by Muhammad Ali and Me (Ovalhouse, 2008) in which I also performed. Muhammad Ali and Me was revived in 2016 at Albany Theatre, toured nationally and is being adapted for screen. Matt Henson, North Star was developed in Greenland through Cape Farewell (Lyric Hammersmith, 2010).
My first commission was Desert Boy (Nitro, Albany and national tour, 2011). The Listeners, a play for young actors, commissioned by Pegasus Theatre Company, in partnership with The Samaritans (Oxford) premiered in 2012. I was Writer-on-Attachment with Unicorn and Birmingham Rep where I wrote Asara and the Sea-Monstress, my first play for children, with a staged reading at Albany (2014). I co-created, co-directed, performed in and wrote I Stand Corrected in collaboration with Mamela Nyamza and commissioned by Artscape, South Africa. I Stand Corrected premiered in Cape Town, toured to London, Soweto and Singapore, has been presented at international conferences and is the subject of documentaries. I co-devised, scripted and directed Sweet Taboo for Talawa Theatre Company’s TYPT:13 (2013) and adapted the script for screen.
I have developed experimental works including 48 Minutes for Palestine, a collaboration she devised, scripted and directed for Ashtar Theatre Palestine has been touring internationally since 2010.
My most recent experiment, The Interrogation of Sandra Bland (Bush Theatre, 2017) incorporating a huge community cast and verbatim text will be filmed in 2018. See www.mojisolaadebayo.com for more information.