| Adebayo, Mojisola |
Lecturer |
Theatre making; Theatre for social change; ‘Afriquia’ / black queer theatre and performance; Theatres of the African diaspora; Creating accessible and inclusive theatre
|
Drama Staff |
| Bardsley, Julia |
Lecturer |
Performance; video; photography; extreme garments; sculptural objects; configuration of the audience |
Drama Staff |
| Boyle, Michael Shane |
Lecturer |
Activist Performance; German Performance History; Marxism and Political Economy; Postdramatic Theatre; Technology
|
Drama Staff |
| Campbell, Ali |
Reader |
Applied Performance with Visual Practice; AIDS education through theatre; T.I.E/issue based performance in schools; London based work with marginal groups |
Drama Staff |
| Deering, Jules |
Technical Staff |
Technical Director of Drama |
Drama Staff |
| Escolme, Bridget |
Professor |
Early modern performance practice; contemporary performance of Shakespeare and his contemporaries; the role of the audience; theatre for young people and Theatre in Education |
Drama Staff |
| Harvie, Jen |
Professor |
Contemporary theatre and performance; feminism and performance; performance and the city; conditions of making art and performance (e.g. funding, spaces) and their political effects |
Drama Staff |
| Heritage, Paul |
Professor |
Brazilian Culture and Performance (including indigenous practices); Socially-engaged arts; Cultural Policy; Theatre and performance in the criminal justice system |
Drama Staff |
| Inchley, Maggie |
Senior Lecturer |
New writing and contemporary performance; the role of the voice in the performance of contemporary identity; practitioner training; comic and popular performance; political rhetoric |
Drama Staff |
| Johnson, Dominic |
Professor |
Performance art and live art; visual cultures; oral histories; LGBT studies; archival research. |
Drama Staff |
| Keidan, Lois |
Academic Staff |
Live Art in the UK, Europe and internationally; Cultural industries and arts management; Live Art, activism and social change; Live Art and archives
|
Drama Staff |
| McAvinchey, Caoimhe |
Reader |
Applied Theatre and Performance; prison, punishment and performance; documentation and archives |
Drama Staff |
| McKinnie, Michael |
Reader |
Performance and space; cultural economics of performance; performance and public policy; dramaturgy and new play development |
Drama Staff |
| Monks, Aoife |
Reader |
The histories and ideologies of acting; Critical approaches to costume and embodiment; Virtuosity and Stage Irishness; The material cultures of performance; Professional identity at the theatre |
Drama Staff |
| O'Brien, Martin |
Lecturer |
Illness and disability in performance; Durational Performance and Endurance Art; Medical Performances; Death and the Undead in art and performance; Pain and BDSM in performance |
Drama Staff |
| Oliver, Daniel |
Academic Staff |
Performance Art and Live Art; Negative Affects – esp. awkwardness; Dysfunction in Contemporary Performance and Live Art; Audience Participation; The Social Turn; Neurodiversity – esp. dyspraxia; Performance and Psychoanalysis |
Drama Staff |
| Ridout, Nicholas |
Professor |
Histories and theories of theatre and affect; intersections between theatre and philosophy; opera and musical performance; Marxist histories and theories of culture |
Drama Staff |
| Silverstone, Catherine |
Reader |
contemporary theatre and performance, especially in relation to sexuality, trauma, Shakespeare |
Drama Staff |
| Watt Smith, Tiffany |
Reader |
Cultural histories of the body, its gestures, expressions, and emotions; the cultural history of sleep |
Drama Staff |
| Weaver, Lois |
Professor |
Live art; solo performance; feminist and lesbian theatre; aging; performance and human rights; relationships between performance and public engagement |
Drama Staff |
| Welton, Martin |
Reader |
Movement and the senses in relation to the theory and practice of contemporary performance |
Drama Staff |
| Woods, Penelope |
Academic Staff |
Cultures of performance and spectatorship through history and around the world |
Drama Staff |
| Wright, David |
Technical Staff |
Drama Technical Manager |
Drama Staff |
| Bartley, Sarah |
Lecturer |
Performance and the Welfare State; Austerity, Activism, and Community Theatre Practices; Participation and Labour; Intersections of Social and Cultural Policy; Applied Theatre and Socially Engaged Performance
|
Drama Staff |
