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School of Languages, Linguistics and Film

Dr Alasdair King, BA MA PhD FRSA


Senior Lecturer in Film Studies

Telephone: +44 (0)20 7882 8311
Room Number: Arts One 2.08


My research is interdisciplinary, drawing on philosophy and film and media (often but not exclusively in a German context). My first monograph was on Hans Magnus Enzensberger, media, and democracy, and I'm preparing a monograph on finance capital and contemporary film (see my Twitter feed for an archive of related material).

I'm working currently on the ways that the moving image registers emerging systems of finance capital and derivatives, looking across narrative films, documentaries, artists’ moving image, and 'operational images'. I’ve published recently on film and financial time, on film and the financial city, and on documenting financial performativity. I've also written on moving image ethics in Deleuze and in Rancière, and a collaborative essay on art and ‘hacking’ the Bloomberg terminal.

I publish regularly on contemporary cinema, with a number of essays on Christian Petzold, Angela Schanelec, Christoph Hochhäusler and Edgar Reitz. I was a DAAD Visiting Researcher at the Goethe-Universität, Frankfurt am Main (2015).

I welcome PhD and post-Doc enquiries and collaborative and pub-lic engagement work in the areas listed above. I’d be keen to support projects that want to think about the moving image in relation to contemporary political, philosophical, and cultural questions, especially in the areas of financialization, debt, democracy, and social justice.


FLM003 What is Cinema? Critical Approaches

FLM5025/GER5025 The Divided Screen: German Cinema 1945-82

FLM302: Contemporary German Cinema

SMLM035 MA Film Core Course

Undergraduate Film Research Project

MA Research Dissertation

Current PhD Supervision

Tim Lindemann: 'New Rural Cinema – The Landscape of Rural Poverty in Recent American Indie Films', co-supervised with Dr. Guy Westwell

Tashi Petter: 'The Trick Films of Lotte Reiniger', co-supervised with Professor Janet Harbord

Simon Dickson: 'The Oneiric Film: Towards a phenomenological analysis', co-supervised with Dr. Lucy Bolton


Research Interests:

  • aspects of film philosophy
  • political aesthetics
  • finance aesthetics
  • cinema, space and time
  • German cinema


Forthcoming publications

The Financial Image: Finance Capital and Contemporary Film, 2019

Books and edited works

Hans Magnus Enzensberger: Writing, Media, Democracy (Peter Lang AG: 2007)

Selected articles and book chapters

‘Film and financial time’, Archiv für Mediengeschichte, Special issue: Media and financialization, Translated into German by Andrea Stumpf, Winter 2017

‘Terminal Value: Building the alternative Bloomberg’, co-written with C. Wood, R. Catlow, and B. Scott, Finance and Society, Special Issue: Finance and Art, 2:2  2016

‘Film and the Financial City’, Studies in European Cinema, 14:1, 2016

‘Documenting financial performativity: film aesthetics and financial crisis’, Journal of Cultural Economy, 9:6, 2016

'Fault Lines: Deleuze, cinema and the ethical landscape', in Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship, ed. by Jinhee Choi and Mattias Frey (Routledge Advances in Film Studies, 2014)

'Still Lives in Transit: Movement and Inertia in Angela Schanelec's Orly (2010), Studies in European Cinema, 11:2, 2014

'What the World Needs Now: Rancière, ethology, and Christian Petzold's Toter Mann and Wolfsburg', in Edinburgh German Yearbook 7: Ethical Approaches in Contemporary German Language Literature and Culture, ed. by Emily Jeremiah and Frauke Matthes (Camden House: 2013)

'No Place Like Heimat: Mediaspaces and moving landscapes in Edgar Reitz's Heimat 3', in New Directions in German Cinema, ed. by Paul Cooke and Christopher Homewood (I.B. Tauris, 2011)

'Heimat 3: Edgar Reitz's Time Machine', in Cinema and Social Change in Germany and Austria, ed. by Gabriele Mueller and James Skidmore (Wilfried Laurier University Press, 2011)

'The Province Always Rings Twice: Christian Petzold's HeimatFilm Noir Jerichow', Transit, 6:1, 2010. Translated into Mandarin, 2014. Translated into German in Christian Petzold, ed. by Ilka Brom-bach (Verlag Vorwerk 8, 2018).

'Literatur und Linse: Enzensberger Goes to the Movies', in Transpositions: Literature to Film - Film to Literature, ed. by Hermann Rasche and Christiane Schonfeld (Rodopi, 2007)

*King, Alasdair (2004), 'Enzensberger's Titanic: The sinking of the German Left and the aesthetics of survival', in The Titanic in Myth and Memory: Representations in Visual and Literary Culture, eds. Tim Bergfelder and Sarah Street (I.B.Tauris, London) pp. 73-83.

'Placing Green is the Heath (1951): Spatial politics and emergent West German identity' in Light Motives: German Popular Cinema, ed. by Randall Halle and Margaret McCarthy (Wayne State UP, 2003)

'Landscape, ideology and national identity in the German cinema: A case study of Die goldene Stadt (1942)' in Deutschland im Spiegel seiner Filme, ed. by Martin Brady and Helen Hughes (CILT, 2000)

Other Publications

Translation: TLS/Poem of the Week, 'Short History of the Bourgeoisie' by Hans Magnus Enzensberger, Times Literary Supplement, 20 July 2013

Various Encyclopedia Entries: The Concise CineGraph: Encyclopaedia of German Cinema, ed. by H-J Bock and Tim Bergfelder (Berghahn Books, 2009)

Commissioned review essay: ‘When Heimat Meets Hollywood. German Filmmakers and America 1985-2005’,  Colloquia Germanica, 40:3-4, 2007

Review Article: `The Ministry of Illusion?', Journal of Area Studies, 13, Autumn 1998

Review Article: Culture in the Federal Republic of Germany 1945-1995, ed. by Reiner Pommerin (Berg, 1996), in 'Nation, Place and Culture: Issues of Identity in Contemporary Europe', Journal of Area Studies, 10, Spring/Summer 1996

Translation: 'Geo Milev - The Road to Freedom', babel, Summer 1991

Translation: `Visit to Ingres', H.M. Enzensberger, Times Literary Supplement, 13-19 July 1990

Translation: `Short History of the Bourgeoisie', H. M. Enzensberger, Times Literary Supplement, 15-21 June 1990