Dr Andrew McPhersonReader in Digital MediaEmail: a.mcpherson@qmul.ac.ukTelephone: +44 20 7882 5774Room Number: Engineering, Eng E108Website: http://www.eecs.qmul.ac.uk/~andrewmOffice Hours: Monday 15:00-16:00, Wednesday 14:00-15:00TeachingResearchPublicationsTeachingMusic and Audio Programming (Postgraduate/Undergraduate) This module will introduce a broad class of principles of programming music and audio systems, with a particular focus on real-time digital signal processing on embedded hardware. Students will develop audio projects using the Bela embedded hardware platform, which is based on an ARM Cortex-A series processor, an architecture also commonly found in mobile devices. This is a project-based module, with the overall mark determined by two smaller assignments and one more extensive final project. It is expected that students already understand basic digital signal processing theory and have a moderate familiarity with programming in C, C++ or a similar language.ResearchResearch Interests:I am an electrical engineer and a composer by training, and my research interests lie at the boundaries between music composition and performance, analog and digital hardware design, digital signal processing and human-computer interaction. I am particularly interested in creating new expressive tools for musicians, including electronically-augmented acoustic instruments, novel hardware/software interfaces for live performance, and intuitive mapping strategies between gesture and sound. I'm also interested in quantitative modelling of expressive performance, focusing especially on the link between expressive intent and physical gesture. As a classically-trained musician, I believe that computing can have a place in even the most traditional arts venues, and I emphasise the importance of getting research products into the hands of musicians and artists, and indeed involving artists throughout the research process.Publications Reed CN, Pearce M, McPherson A (2024). Auditory imagery ability influences accuracy when singing with altered auditory feedback. nameOfConference DOI: 10.1177/10298649231223077 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/95126 Hayes B, Shier J, Fazekas G et al. (publicationYear). A review of differentiable digital signal processing for music and speech synthesis. nameOfConference DOI: 10.3389/frsip.2023.1284100 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/93966 Mice L, McPherson AP (2023). Chaos Bells: Instrument Size and Entangled Music Performance. nameOfConference DOI: 10.1080/07494467.2023.2277556 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/95127 Martelloni A, Mcpherson AP, Barthet M (2023). Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. 24th International Society for Music Information Retrieval Conference DOI: doi QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/89568 Shier J, Caspe F, Robertson A et al. (2023). Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis. 10th Convention of the European Acoustics Association (Forum Acusticum) DOI: 10.61782/fa.2023.1093 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/90592 Wolstanholme L, Mcpherson A (2023). Towards Orchestrating Physically Modelled 2D Percussion Instruments. 10th Convention of the European Acoustics Association (Forum Acusticum) DOI: 10.61782/fa.2023.0664 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/91546 Wolstanholme L, Vahidi C, Mcpherson A (2023). Hearing from Within a Sound: A Series of Techniques for Deconstructing and Spatialising Timbre. International Conference on Spatial and Immersive Audio (AES) DOI: doi QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/90663 Caspe F, Mcpherson A, Sandler M (2023). FM Tone Transfer with Envelope Learning. AudioMostly 2023 DOI: 10.1145/3616195.3616196 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/90812 Nordmoen C, McPherson AP (2023). What the Sensor Knows: More-Than-Human Knowledge Co-Production in Wood Carving. Proceedings of the 2023 ACM Designing Interactive Systems Conference DOI: 10.1145/3563657.3596075 QMRO: qmroHref Zheng J, Mcpherson A, Bryan-Kinns N (2023). When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical Interaction. Proceedings of the 2023 ACM Designing Interactive Systems Conference DOI: 10.1145/3563657.3596010 QMRO: qmroHref Pelinski Ramos T, Diaz Fernandez R, Benito Temprano AL et al. (2023). Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform. NIME 2023 DOI: 10.5281/zenodo.11189141 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/88693 Zayas-Garin E, Nordmoen C, Mcpherson A (2023). Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI Designers. New Interfaces for Musical Expression 2023 DOI: doi QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/88932 Clayton M, Wang L, Mcpherson A et al. (2023). An embedded multichannel sound acquisition system for drone audition. nameOfConference DOI: 10.1109/JSEN.2023.3273330 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/87838 Pelinski Ramos T, Caspe F, Mcpherson A et al. (2023). Computing ecosystems: neural networks and embedded hardware platforms. CHI 2023 DOI: doi QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/88694 Reed CN, Strohmeier P, McPherson AP (2023). Negotiating Experience and Communicating Information Through Abstract Metaphor. Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems DOI: 10.1145/3544548.3580700 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/95124 Reed CN, McPherson AP (2023). The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback. Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction DOI: 10.1145/3569009.3572738 QMRO: qmroHref Caspe F, Mcpherson A, Sandler M (2022). DDX7: Differentiable FM Synthesis of Musical Instrument Sounds. 23rd International Society for Music Information Retrieval Conference (ISMIR 2022) DOI: doi QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/80217 Pigrem J, Mcpherson A, Bryan-Kinns N et al. (2022). Sound -> Object -> Gesture: Physical Affordances of Virtual Materials. AudioMostly 2022 DOI: 10.1145/3561212.3561230 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/95363 Lepri G, Mcpherson A, Bowers J (2022). Useless, not Worthless: Absurd Making as Critical Practice. ACM conference on Designing Interactive Systems DOI: 10.1145/10.1145/3357236.3395547 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/65145 Robson N, McPherson A, Bryan-Kinns N (2022). Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors. NIME 2022 DOI: 10.21428/92fbeb44.376bc758 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/95362 Zayas-Garin E, McPherson A (publicationYear). Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience. NIME 2022 DOI: 10.21428/92fbeb44.2b8ce9a4 QMRO: qmroHref Guidi A, McPherson A (publicationYear). Quantitative evaluation of aspects of embodiment in new digital musical instruments. NIME 2022 DOI: 10.21428/92fbeb44.79d0b38f QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/79856 Lepri G, Bowers J, Topley S et al. (publicationYear). The 10,000 Instruments Workshop - (Im)practical Research for Critical Speculation. NIME 2022 DOI: 10.21428/92fbeb44.9e7c9ba3 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/95128 Mice L, Mcpherson A (2022). The M in NIME: Motivic analysis and the case for a musicology of NIME performances. International Conference on New Interfaces for Musical Expression DOI: 10.21428/92fbeb44.8c1c9817 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/79128 Reed CN, Nordmoen C, Martelloni A et al. (2022). Exploring Experiences with New Musical Instruments through Microphenomenology. International Conference on New Interfaces for Musical Expression DOI: 10.21428/92fbeb44.b304e4b1 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/84773 Nordmoen C, McPherson AP (2022). Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive system. Designing Interactive Systems Conference DOI: 10.1145/3532106.3533572 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/81925 Zheng J, Bryan-Kinns N, McPherson AP (2022). Material Matters: Exploring Materiality in Digital Musical Instruments Design. Designing Interactive Systems Conference DOI: 10.1145/3532106.3533523 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/79293 Mice L, McPherson AP (2022). Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design. CHI Conference on Human Factors in Computing Systems DOI: 10.1145/3491102.3517626 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/79122 Reed CN, Skach S, Strohmeier P et al. (2022). Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances. Augmented Humans 2022 DOI: 10.1145/3519391.3519412 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/78880 Robson N, Bryan-Kinns N, Mcpherson A (2022). On mediating space, sound and experience: interviews with situated sound art practitioners. nameOfConference DOI: 10.1017/S1355771822000103 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/72330 Benito Temprano A, Mcpherson AP (2021). A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar. Audio Mostly 2021 (AM'21). Sonic experiences in the era of the Internet of Sounds DOI: 10.1145/3478384.3478427 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/74325 Lepri G, McPherson A (2021). Embrace the Weirdness: Negotiating Values Inscribed into Music Technology. nameOfConference DOI: 10.1162/comj_a_00610 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/95125 Zayas-Garin L, Harrison J, Jack R et al. (publicationYear). DMI Apprenticeship: Sharing and Replicating Musical Artefacts. NIME 2021 DOI: 10.21428/92fbeb44.87f1d63e QMRO: qmroHref Martelloni A, McPherson A, Barthet M (publicationYear). Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. NIME 2021 DOI: 10.21428/92fbeb44.2f6db6e6 QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/88835 Mice L, Mcpherson A (2021). Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments. nameOfConference DOI: doi QMRO: qmroHref Reed CN, McPherson AP (2021). Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists. Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction DOI: 10.1145/3430524.3440641 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/71081 Moro G, McPherson AP (2020). Performer Experience on a Continuous Keyboard Instrument. nameOfConference DOI: 10.1162/comj_a_00565 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/73782 Mice L, Mcpherson A (2020). From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs. International Conference on New Interfaces for Musical Expression DOI: 10.5281/zenodo.4813200 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/79121 Moro G, Mcpherson A (2020). A platform for low-latency continuous keyboard sensing and sound generation. International Conference on New Interfaces for Musical Expression DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/64180 Martelloni A, Mcpherson A, Barthet M (2020). Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. New Interfaces for Musical Expression (NIME) DOI: doi QMRO: https://qmro.qmul.ac.uk/xmlui/handle/123456789/66940 Lepri G, Mcpherson A, Nonnis A et al. (2020). Play Make Believe: Exploring Design Fiction and Absurd Making for Critical NIME. New Interfaces for Musical Expression Workshop (NIME '20), Royal Birmingham Conservatoire, Birmingham, UK. DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/71109 Lepri G, McPherson A, Bowers J (2020). Useless, not Worthless. Proceedings of the 2020 ACM Designing Interactive Systems Conference DOI: 10.1145/3357236.3395547 QMRO: qmroHref Mcpherson A, Lepri G (2020). Beholden to Our Tools: Negotiating with Technology while Sketching Digital Instruments. New Interfaces For Musical Expression DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/64887 McPherson A, Tahıroğlu K (2020). Idiomatic Patterns and Aesthetic Influence in Computer Music Languages. nameOfConference DOI: 10.1017/s1355771819000463 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/62420 Morreale F, Bin SMA, McPherson AP et al. (2020). A nime of the times: Developing an outward-looking political agenda for this community. nameOfConference DOI: doi QMRO: qmroHref Guidi A, Morreale F, McPherson A (2020). Design for auditory imagery: Altering instruments to explore performer fluency. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/64428 Jack RH, Harrison J, McPherson AP (2020). Digital musical instruments as research products. nameOfConference DOI: doi QMRO: qmroHref Avila JM, Tsaknaki V, Karpashevich P et al. (2020). Soma design for nime. nameOfConference DOI: doi QMRO: qmroHref Reed CN, McPherson AP (2020). Surface electromyography for direct vocal control. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/65364 Mice L, Mcpherson AP (2019). Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments. Computer Music Multidisciplinary Research DOI: 10.1007/978-3-030-70210-6_37 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/63240 Armitage J, McPherson A (2019). Bricolage in a hybrid digital lutherie context. Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound DOI: 10.1145/3356590.3356604 QMRO: qmroHref Armitage J, Mcpherson A (2019). Bricolage in a hybrid digital lutherie context: a workshop study. Audio Mostly DOI: 10.1145/3356590.3356604 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/59522 McPherson A (2019). Augmenting Musical Performance. nameOfConference DOI: 10.1017/9781316676639.018 QMRO: qmroHref Nordmoen C, Armitage J, Morreale F et al. (2019). Making Sense of Sensors. Proceedings of the 2019 on Designing Interactive Systems Conference DOI: 10.1145/3322276.3322368 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/57558 LEPRI G, MCPHERSON A (2019). Fictional Instruments, Real Values: Discovering Musical Backgrounds with Non-Functional Prototypes. New Interfaces for Musical Expression DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/64886 LEPRI G, MCPHERSON A (2019). Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice. Designing Interactive Systems DOI: 10.1145/3322276.3322353 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/64885 Harrison J, Chamberlain A, McPherson AP (2019). Accessible Instruments in the Wild. Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems DOI: 10.1145/3290607.3313037 QMRO: qmroHref Hazzard A, Greenhalgh C, Kallionpaa M et al. (2019). Failing with Style. Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems DOI: 10.1145/3290605.3300260 QMRO: qmroHref Pardue LS, McPherson A (2019). Real-Time Aural and Visual Feedback for Improving Violin Intonation.. nameOfConference DOI: 10.3389/fpsyg.2019.00627 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/57523 McPherson A, Benford S (2019). Music, Design and Ethnography: An Interview with Steve Benford. nameOfConference DOI: 10.1007/978-3-319-92069-6_13 QMRO: qmroHref McPherson A, Verplank B (2019). The Poetry of Strange Connections: An Interview with Bill Verplank. nameOfConference DOI: 10.1007/978-3-319-92069-6_4 QMRO: qmroHref Holland S, Mudd T, Wilkie-McKenna K et al. (2019). Understanding Music Interaction, and Why It Matters. nameOfConference DOI: 10.1007/978-3-319-92069-6_1 QMRO: qmroHref Morreale F, Guidi A, McPherson A (2019). Magpick: An augmented guitar pick for nuanced control. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/57322 MCPHERSON A, MORREALE F, HARRISON J (2019). Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches. nameOfConference DOI: 10.1007/978-3-319-92069-6_12 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/55134 Pardue LS, Buys K, Edinger M et al. (2019). Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/58580 Turchet L, McPherson A, Fischione C (2019). Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences. nameOfConference DOI: doi QMRO: qmroHref MORREALE F, ARMITAGE J, MCPHERSON A (2018). Effect of Instrument Structure Alterations on Violin Performance. nameOfConference DOI: 10.3389/fpsyg.2018.02436 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/54645 ZAPPI V, MCPHERSON A (2018). Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction. nameOfConference DOI: 10.3389/fict.2018.00026 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/47925 JACK RH, MEHRABI A, Stockman T et al. (2018). Action-sound Latency and the Perceived Quality of Digital Musical Instruments: Comparing Professional Percussionists and Amateur Musicians. nameOfConference DOI: 10.1525/mp.2018.36.1.109 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/44614 Turchet L, McPherson A, Barthet M (publicationYear). Real-Time Hit Classification in a Smart Cajón. nameOfConference DOI: 10.3389/fict.2018.00016 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/54064 BUYS K, MCPHERSON A (2018). Real-time bowed string feature extraction for performance applications. Sound and Music Computing DOI: 10.5281/zenodo.1422597 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/56795 ARMITAGE JDK, MCPHERSON A (2018). Crafting Digital Musical Instruments: An Exploratory Workshop Study. New Interfaces for Musical Expression DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/42325 BIN SMA, BRYAN-KINNS N, MCPHERSON AP (2018). Risky business: Disfluency as a design strategy. New Interfaces for Musical Expression DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/39184 Turchet L, McPherson A, Barthet M (2018). Co-design of a smart Cajón. nameOfConference DOI: 10.17743/jaes.2018.0007 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/39005 Jack RH, Harrison J, Morreale F et al. (2018). Democratising DMIs: The relationship of expertise and control intimacy. nameOfConference DOI: doi QMRO: qmroHref Pigrem J, McPherson A (2018). Do we speak sensor? Cultural constraints of embodied interaction. nameOfConference DOI: doi QMRO: qmroHref Pardue LS, McPherson A, Overholt D (2018). Improving the instrumental learning experience through complexity management. nameOfConference DOI: doi QMRO: qmroHref Lepri G, McPherson A (2018). Mirroring the past, from typewriting to interactive art: An approach to the re-design of a vintage technology. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/64884 Morreale F, McPherson AP, Wanderley MM (2018). NIME identity from the performer’s perspective. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/42326 Harrison J, Jack RH, Morreale F et al. (2018). When is a guitar not a guitar? Cultural form, input modality and expertise. nameOfConference DOI: doi QMRO: qmroHref MORO G, MCPHERSON A, SANDLER M (2017). Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance. nameOfConference DOI: 10.1121/1.5003796 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/28574 Bin SMA, Bryan-Kinns N, McPherson A (2017). Hands where we can see them! Investigating the impact of gesture size on audience perception. International Computer Music Conference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/28483 BIN SMA, MORREALE F, BRYAN-KINNS N et al. (2017). In-the-moment and beyond: Combining post-hoc and real time data for the study of audience perception of electronic music performance. ACM Interact 2017 DOI: 10.1007/978-3-319-67744-6_18 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/28343 HARRISON JTF, McPherson AP (2017). Adapting the Bass Guitar for One-Handed Playing. nameOfConference DOI: 10.1080/09298215.2017.1340485 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/24726 Jack RH, Stockman T, McPherson A (2017). Rich gesture, reduced control. Proceedings of the 4th International Conference on Movement Computing DOI: 10.1145/3077981.3078039 QMRO: qmroHref MCPHERSON A, ARMITAGE JDK, BIN SMA et al. (2017). NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie. New Interfaces for Musical Expression DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/40023 Armitage J, Morreale F, McPherson A (2017). "The finer the musician, the smaller the details": NIMEcraft under the microscope. New Instruments for Musical Expression 2017 DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/22883 Morreale F, Moro G, Chamberlain A et al. (2017). Building a Maker Community Around an Open Hardware Platform. ACM SIGCHI Conference on Human Factors in Computing Systems (CHI) DOI: 10.1145/3025453.3026056 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/19132 MORREALE F, Masu, R, MCPHERSON (2017). Constraining Control in Mixed-Initiative Musical Interfaces. MICI 2017: CHI Workshop on Mixed-Initiative Creative Interfaces DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/25285 McPherson A (2017). Bela: An embedded platform for low-latency feedback control of sound. nameOfConference DOI: 10.1121/1.4987761 QMRO: qmroHref Donovan L, McPherson A (2017). Traveling wave control of stringed musical instruments. nameOfConference DOI: 10.1121/1.4987763 QMRO: qmroHref Jack RH, Stockman T, McPherson A (2017). Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments. Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction DOI: 10.1145/3024969.3025042 QMRO: qmroHref McPherson A (2017). 2012: TouchKeys: Capacitive Multi-touch Sensing on a Physical Keyboard. nameOfConference DOI: 10.1007/978-3-319-47214-0_27 QMRO: qmroHref Harrison J, McPherson A (2017). An adapted bass guitar for one-handed playing. nameOfConference DOI: doi QMRO: qmroHref Morreale F, McPherson AP (2017). Design for longevity: Ongoing use of instruments from nime 2010-14. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/23493 Liang B, Fazekas G, McPherson A et al. (2017). Piano Pedaller: A Measurement System for Classification and Visualisation of Piano Pedalling Techniques. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/24503 LIANG B, fazekas G, mcpherson A et al. (2016). Classification of Piano Pedaling Techniques Using Gesture Data from a Non-Intrusive Measurement System. DMRN+11: Digital Music Research Network One-day Workshop 2016 DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/19349 Jack RH, Stockman T, McPherson A (2016). Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument. Proceedings of the Audio Mostly 2016 DOI: 10.1145/2986416.2986428 QMRO: qmroHref McPherson AP, Jack RH, Moro G (2016). Action-Sound Latency: Are Our Tools Fast Enough?. Proceedings of the International Conference on New Interfaces for Musical Expression, Brisbane, Queensland, Australia, July 11-15, 2016 DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/12479 BIN SMA, MCPHERSON AP, BRYAN-KINNS N (2016). Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. New Interfaces for Musical Expression DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/13067 MORO G, Bin A, Jack RH et al. (2016). Making High-Performance Embedded Instruments with Bela and Pure Data. International Conference on Live Interfaces DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/12653 MCPHERSON A, Chamberlain A, Hazzard A et al. (2016). Designing for Exploratory Play with a Hackable Digital Musical Instrument. ACM Conference on Designing Interactive Systems DOI: 10.1145/2901790.2901831 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/13068 Sulyok C, MCPHERSON A, Harte C (2016). Evolving the process of a virtual composer. nameOfConference DOI: 10.1007/s11047-016-9561-6 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/12837 Holland S, McPherson AP, Mackay WE et al. (2016). Music and HCI. Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems DOI: 10.1145/2851581.2856479 QMRO: qmroHref Jack R, Stockman T, McPherson A (2016). Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback. Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction DOI: 10.1145/2839462.2839503 QMRO: qmroHref Heinrichs C, McPherson A (2016). Performance-Led Design of Computationally Generated Audio for Interactive Applications. Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction DOI: 10.1145/2839462.2854109 QMRO: qmroHref Pardue LS, Harte C, MCPHERSON A (2015). A Low-Cost Real-Time Tracking System for Violin. nameOfConference DOI: 10.1080/09298215.2015.1087575 QMRO: qmroHref Sulyok C, McPherson A, Harte C (publicationYear). Corpus-taught Evolutionary Music Composition. 07/20/2015-07/24/2015 DOI: 10.7551/978-0-262-33027-5-ch102 QMRO: qmroHref MacRitchie J, MCPHERSON A (2015). Integrating optical finger motion tracking with surface touch events. nameOfConference DOI: 10.3389/fpsyg.2015.00702 QMRO: qmroHref McPherson A (2015). Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments. nameOfConference DOI: 10.1162/comj_a_00297 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/10250 Donovan L, MCPHERSON A (2015). Active control of a string instrument bridge using the Posicast technique. 138th Audio Engineering Society Convention DOI: doi QMRO: qmroHref MCPHERSON A, Zappi V (2015). An environment for submillisecond-latency audio and sensor processing on BeagleBone Black. 138th Audio Engineering Society Convention DOI: doi QMRO: qmroHref Moro G, McPherson AP (2015). Approximating non-linear inductors using time-variant linear filters. nameOfConference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/13072 Zappi V, MCPHERSON A (2015). Exposing the scaffolding of digital instruments with hardware-software feedback loops. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref Menzies DWH, MCPHERSON A (2015). Highland piping ornament recognition using Dynamic Time Warping. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref Jack RH, MCPHERSON A, Stockman T (2015). The design of tactile musical devices for the deaf. International Conference on the Multimodal Experience of Music DOI: doi QMRO: qmroHref Reiss JD, McPherson A (2014). Audio Effects: Theory, Implementation and Application. nameOfConference DOI: 10.1201/b17593 QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/11476 Zappi V, MCPHERSON A (2014). Design and use of a hackable digital instrument. International Conference on Live Interfaces DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/7204 Zappi V, MCPHERSON A (2014). Dimensionality and appropriation in digital musical instrument design. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref Heinrichs C, MCPHERSON A, Farnell A (2014). Human Performance of Computational Sound Models for Immersive Environments. nameOfConference DOI: doi QMRO: qmroHref Topliss JW, Zappi V, MCPHERSON A (2014). Latency Performance for Real-Time Audio on BeagleBone Black. Linux Audio Conference DOI: doi QMRO: https://uat2-qmro.qmul.ac.uk/xmlui/handle/123456789/7205 Pardue L, Nian D, Harte C et al. (2014). Low-latency audio pitch tracking: a multi-modal sensor-assisted approach. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref Heinrichs C, MCPHERSON A (2014). Mapping and interaction strategies for performing environmental sound. IEEE VR Workshop on Sonic Interaction in Virtual Environments (SIVE) DOI: 10.1109/SIVE.2014.7006286 QMRO: qmroHref Sokolovskis J, MCPHERSON A (2014). Optical measurement of acoustic drum strike locations. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref Gábana Arellano D, MCPHERSON A (2014). Radear: a tangible spinning music sequencer. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref MCPHERSON A, Donovan L (2014). The talking guitar: headstock tracking and mapping strategies. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref Vetter L, Terrell MJ, Simpson AJR et al. (2013). Estimation of overdrive in music signals. nameOfConference DOI: doi QMRO: qmroHref McPherson AP, Kim YE (2013). Piano Technique as a Case Study in Expressive Gestural Interaction. nameOfConference DOI: 10.1007/978-1-4471-2990-5_7 QMRO: qmroHref HEDGES TW, MCPHERSON A (2013). 3D Gestural Interaction with Harmonic Pitch Space. Proceedings of the 10th Sound and Music Computing Conference (SMC) DOI: doi QMRO: qmroHref MENZIES DWH, MCPHERSON A (2013). A Digital Bagpipe Chanter System to Assist in One-to-One Piping Tuition. Proceedings of the Stockholm Music Acoustics Conference DOI: doi QMRO: qmroHref MCPHERSON A, Pardue L (2013). Near-field optical reflectance sensing for violin bow tracking. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref MCPHERSON A (2013). Portable measurement and mapping of continuous piano gesture. New Interfaces for Musical Expression DOI: doi QMRO: qmroHref MCPHERSON A, Gierakowski A, Stark A (2013). The space between the notes: adding expressive pitch control to the piano keyboard. ACM Conference on Human Factors in Computing Systems (CHI) DOI: 10.1145/2470654.2481302 QMRO: qmroHref Burdiel E, Vetter L, Simpson AJR et al. (2012). Real-time implementation of glasberg & moore's loudness model for time-varying sounds. nameOfConference DOI: doi QMRO: qmroHref Heinrichs C, McPherson A (2012). Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera. nameOfConference DOI: 10.1109/ISMAR.2012.6402575 QMRO: qmroHref Heinrichs C, McPherson A (2012). A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling. nameOfConference DOI: doi QMRO: qmroHref Menzies DWH, McPherson A (2012). An electronic bagpipe chanter for automatic recognition of highland piping ornamentation. nameOfConference DOI: doi QMRO: qmroHref McPherson A (2012). Techniques and circuits for electromagnetic instrument actuation. nameOfConference DOI: doi QMRO: qmroHref Britt NC, Snyder J, McPherson A (2012). The emvibe: An electromagnetically actuated vibraphone. nameOfConference DOI: doi QMRO: qmroHref Snyder J, McPherson A (2012). The jd-1: An implementation of a hybrid keyboard/sequencer controller for analog synthesizers. nameOfConference DOI: doi QMRO: qmroHref MCPHERSON A, Kim YE (2012). The problem of the second performer: building a community around an augmented piano. nameOfConference DOI: 10.1162/COMJ-a-00149 QMRO: qmroHref McPherson A (2012). Touchkeys: Capacitive multi-touch sensing on a physical keyboard. nameOfConference DOI: doi QMRO: qmroHref MCPHERSON A, Kim Y (2011). Design and applications of a multi-touch musical keyboard. 8th Sound and Music Computing Conference DOI: doi QMRO: qmroHref Dolhansky B, MCPHERSON A, Kim Y (2011). Designing an expressive virtual percussion instrument. 8th Sound and Music Computing Conference DOI: doi QMRO: qmroHref MCPHERSON A, Kim Y (2011). Multidimensional gesture sensing at the piano keyboard. ACM CHI Conference on Human Factors in Computing Systems DOI: 10.1145/1978942.1979355 QMRO: qmroHref MCPHERSON A, Kim Y (2010). Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing. International Conference on New Interfaces for Musical Expression DOI: doi QMRO: qmroHref MCPHERSON A (2010). The magnetic resonator piano: electronic augmentation of an acoustic grand piano. nameOfConference DOI: 10.1080/09298211003695587 QMRO: qmroHref MCPHERSON A, Kim Y (2010). Toward a computationally-enhanced acoustic grand piano. ACM CHI Conference on Human Factors in Computing Systems (Extended Abstracts) DOI: 10.1145/1753846.1754116 QMRO: qmroHref