This Is What A Feminist Sounds Like: Performed sound design from Foley to ASMR
A Je To: Slovak and Czech Performance from 1960s to 2018
Self-wounding in performance art
Can Current Autobiographical Performances of Patient Narratives,
Testimonies, and Accounts of Madness Challenge Dominant Psychiatric
Criminalisation as Casting: Eroticism and the Theatricalisation of Bourgeois Subjectivity
Many Scars: Queer Feminist Autobiographical Performance about Multiple Sclerosis
Being caught up in the art and life of Emanuele Balzani: Epistemological shifts in representing errant artistic practices and the making of textual recognition.
Gender Diversity and Applied Storytelling
Empty Actions – Unoccupied Centers: Eastern European Underground Performance Art in the Late Socialist Period
How the Dead Do Speak: Theatrical Manifestations of the Dead
Public Property: Cultural Identity, (in)visibility, and the Black Performing Body.
Ageing Women and Contemporary Live Art, 2012-2023
A Diagnosis of Capitalism in Caryl Churchill’s Dramas since the 1990s
Grotesque Acts of Ventriloquism: Race, Puppetry and Performance in the Twenty-First Century
The Idea of the World in Theatre in Calcutta
Inside the Outsider: German Independent Music Theatre at the Neuköllner Oper Berlin
Cosmopolitanisms at the Maxim Gorki Theater, Berlin: The Theatre, Theatre, and Paratheatre
Contemporary Performance Art in Post-Dictatorial Chile
Feeling for Feminism: Valuing Emotions in Contemporary Feminist Performance
The Black Female Masculine: The Conundrum of the Black Female Theatre Director
Glamorous Freakishness: Leigh Bowery, Performative Costuming and Visual Culture
Border Conflicts: Practice based PhD.
If You Build It, They Will Come: Capitalism, Cults, and Contemporary Art (working title)